Substrate and Framing Options
Giclee Frames
These crisp and clean frames, with their simple flat profile and modern look, make for a beautiful complement to any piece of art. With a depth of 1.25”, these frames are handmade by our artisans from natural wood grown in sustainably managed forests.
Available in: black, white, maple, walnut, gold, and silver.
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Paper Giclee
Each high-quality matte paper print offers astonishing vibrancy, ensuring the colors of your photo are beautiful and true.
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Canvas
This is where magical moments become masterpieces. Our gallery-quality canvas prints present art and photos with striking detail. They come in a canvas depth of 1.5” – the best choice for creating a dramatic impact.
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Metal
Nothing makes artwork pop like metal. The exceptional clarity and detail of our glossy white aluminum panels is breathtakingly vibrant. Our metal prints are extremely durable, weather and water-resistant, and are 1.5mm thick with a stretcher bar hanger. Dye sublimated, heat-pressed printing.
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Acrylic
Our acrylic prints give the artwork depth and striking color, creating a high dynamic display. Modern, and truly one-of-a-kind, they are incredibly durable with a depth of 1/16" and come with a stretcher bar hanger on the back.
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Wood
Our wood prints bring a rustic, down-to-earth feel to our artwork as the natural wood grains show through both colors and transparent parts of the image.
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Canvas Frames
Providing an extra deep rabbet for canvases, these frames will suspend and separate your art from the molding for a sophisticated look. With a depth of 2 inches, these frames are made from natural wood in the USA and come with everything you need for a gallery-ready presentation: brackets and screws to attach canvas to molding, plus wire and heavy-duty D-rings for easy hanging.
Available in: black, white, maple, walnut, gold, and silver.
Shop now
Giclee Frames
These crisp and clean frames, with their simple flat profile and modern look, make for a beautiful complement to any piece of art. With a depth of 1.25”, these frames are handmade by our artisans from natural wood grown in sustainably managed forests.
Available in: black, white, maple, walnut, gold, and silver.
Shop now
Paper Giclee
Each high-quality matte paper print offers astonishing vibrancy, ensuring the colors of your photo are beautiful and true.
Shop now
Note from the artist about this piece:
Digitally recolored peach and grungy puce version of an acrylic painting on stretched canvas with texture gel media (acrylic based or acrylic emulsion mixed)
I have done a number of abstract paintings where there is a large base pattern in the background and a finely detailed foreground pattern. As in many of my similar abstract paintings, the foreground details in “Heretical Musings…” relate to the background, but are not contained nor defined by the initial pattern behind them. They act more like comments; contrapuntal statements that connect and articulate the larger shapes behind them.
I often think of these abstract paintings as a kind of artistic envisioning of a heuristic. The background is the initial set of conditions and the finely detailed foreground is the complex evolving state.
My process in creating these pieces is also not completely deterministic. The background is created geometrically. In this case tape masking was used to create hard edged layers of defined geometry. The foreground is built on the background, but also articulates and works with the little “mistakes” vagaries and randomness introduced by the imperfect masking and painting process. The foreground is completed in fine detail and freehand style. The change in approach and style from foreground and background emphasizes the contrast between the “set” deterministic geometry in the background layers and the looser more responsive and unpredictable freehand figures in the final foreground layers.
The visual idea of tiny and sharply articulated things in front with more weakly colored graded larger geometries in the back is a familiar aesthetic for me. Many painters derive their visual intuition from years of looking out at nature and the landscape, etc. Those scenes have certain visual cues that denote depth and dimension.
I have spent a large number of hours looking at the world through various scopes and focusing optics (light and electron microscopes mostly). In these types of optics, the focal plane and the out-of-plane defocused images create a completely different type of aesthetic. The visual cues and logic of microscopy have become second nature and form the visual intuition that orders many of my abstract works.
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